#lidia poet icons

[galacticstxrdust]

Lidia Poët icons - The Law According to Lidia Poët (available on Netflix)

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[notthegalwaygirl]

Lidia Poet - my new style icon and gal crush.

[citylightsbooks]

5 Questions with Megan Fernandes, Author of Good Boys

Megan Fernandes is a writer and academic living in New York City. She is the author of The Kingdom and After (Tightrope Books 2015) and the new book of poems, Good Boys (published by Tin House). Her work has been published or is forthcoming in the New Yorker, Tin House, Ploughshares, Denver Quarterly, Chicago Review, Boston Review, Rattle, Pank, the Common, Guernica, the Academy of American Poets, and McSweeney's Internet Tendency, among others. She is a poetry reader for The Rumpus and an Assistant Professor of English at Lafayette College. She holds a PhD in English from the University of California, Santa Barbara and an MFA in poetry from Boston University. She reads from her new book Good Boys with special guests at City Lights Bookstore on Tuesday, February 25th.

***

City Lights: If you’ve been to City Lights before, what’s your memory of the visit? If you haven’t been here before, what are you expecting?

Megan Fernandes: Of all the places I’m reading this Spring (and it’s probably not politic to say this), I am most excited to read at City Lights. I’ve never been, but I understood at a very young age that the bookstore symbolized possibility, spontaneity, digression, lostness, community, etc. As a teenager, I read a lot of Beat literature, my favorites being Dharma Bums, In the Night Café, and everything Ginsberg. I was compelled by their portraits of America’s expansiveness. And I also just think as an immigrant kid not born in the USA, the Beats gave me some sense of American geography. I went to Colorado for the first time last year and I had this memory of my first impression of Colorado as a place described in On the Road. When traveling across the country, I often have Ferlinghetti’s feverish, twitchy, carnivalesque poetics in my head. I also think in this indirect way, Beat literature shaped some of my thoughts around feminist thinking as I was conscious of my orientation as outside certain privileges of the “male, womanizing adventurer” often romanticized in Beat lit. I had to interrogate what it meant to feel intimacies with Ginsberg and Duncan who were destabilizing masculinities and cultural logics of hate. 

And so what I learned from City Lights and Beat lit is really something about the relationship between myth-making and counter-culture communities. I’m understanding the truly expansive network of the movement in so much more detail right now while reading an advanced copy of a fabulous new book called The Beats: A Literary History by Steven Belletto. 

What are you reading right now?

I’m reading a book called Dapper Dan: Made in Harlem, co-written by Dapper Dan himself and my good friend, Mikael Awake. It’s a history of Dapper Dan’s iconic work in fashion, of course, while being really intimate. And it’s just as much a history of his family’s internal dynamics and, through his family, New York City at large. In particular, 1970’s NYC is so vividly, brilliantly wrought in this book.

There’s this one section where Dap is at Iona College at a lecture on protohistory and the professor, a Czech immigrant, tells the class that “In order for man to have survived during those ancient times… he must have had powers that he doesn’t have now. The only people that could possibly still have these powers today are the black and brown people on the planet” and when Dap hears this, he is transfixed. He says: “This is one of the most esteemed scholars at Iona College telling a packed lecture hall that black and brown people were the only ones on the planet who still had spiritual powers. How come this was my first time hearing about that? I looked around. I was the only black student in the class. I wasn’t tired anymore. He had my full attention… I said to myself, This is what I need to know. This is how I need to formulate myself.” I’m loving how the book captures these intense moments of transformation. I love that word choice: formulate. What poetic agency is modeled in that word? I needed that word the moment I read it. 

Recently, I’ve also read Samiya Bashir’s Field Theories and Edgar Kunz’s Tap Out. Samiya wrote this legitimately weird and imaginative book that feels like it’s made out of the time-space continuum. Some cosmic materiality is really showing up in that book. I remember this line: “A body. A zoo. A lovely savannah. Walls of clear, clean glass” and I’m just on a ride with the musicality of her shifting assonance. Plus, I know that writers like June Jordan and Toni Cade Bambara are operating influences/specters of the book and you can feel that energy. Edgar’s book is more narrative and quieter, but so devastating. I sort of get what makes his speakers tenderize if that makes sense. I think it’s the same phenomena that tenderizes me, too.

Some of my favorite novels of recent years includes A Questionable Shape by Bennett Sims, The Small Backs of Children by Lidia Yuknavitch, Sonora by Hannah Lillith Assadi, and very recently, The Nickel Boys by Colson Whitehead.

What book or writer do you always find yourself recommending?

I think Jean Toomer’s Cane is the most beautiful book of the 20th century. I remember just being blown away by its call and response, the repeating imagery of sun and smoke and pines. That book is so stunning. Other astounding work that I always recommend includes Mebvh McGuckian’s Captain Lavender, Anne Carson’s The Autobiography of Red, Evie Shockley’s The New Black, Franz Wright’s Walking to Martha’s Vineyard, Eleni Sikelianos’ Body Clock, Jorie Graham’s The Errancy, Bhanu Kapil’s The Vertical Interrogation of Strangers, The Collected Poems of W.B. Yeats, and Galway Kinnell and Hannah Liebmann’s translations of Rilke. Those are my hard-hitters. Those books are why I became a poet. 

What writers/artists/people do you find the most influential to the writing of this book and/or your writing in general?

You know, I collected poems while I was writing and editing this book. And I think those specific poems created a kind of constellation around me, almost protective, that kept me writing. Some of those poems include “The Long Recovery” by Ellen Bass, “A Matter of Balance,” by Evie Shockley, “What lips my lips have kissed, and where, and why” by Edna St. Vincent Millay, “I am Not Seaworthy” by Toni Morrison, “Becoming Regardless” by Jack Spicer, “A New Bride Almost Visible in Latin” by Jack Gilbert, “To the Young Who Want to Die” by Gwendolyn Brooks and many, many others. Definitely O’Hara as well. He never leaves me. The most important poem of that little self-curated archive is Frank Bidart’s “Visions at 74” where he writes: “To love existence / is to love what is indifferent to you.” I remember reading that line and just losing it. I have been guided by so much of Bidart. And maybe my book is a little bit about how to sustain rage in the face of that which is indifferent to you, what cannot love you (both personally and abstractly). How do you sustain rage so as to not fall into despair?

I also listened to a variety of music while writing and editing. A mix between contemporary sad kid hip-hop, old school jazz and blues, gospel, 80’s bands, pop culture queens, 1970’s hypnotic modal vamp, classical Spanish guitar, electronic pop, really pretty varied. A few names that come to mind: KOTA the Friend, NoName, Vince Staples, Travis Scott, Miles Davis Quintet, Bessie Smith, Sam Cooke, The Knocks, Solange, Archie Shepp, Pharoah Sanders, Alice Coltrane, Big Mama Thornton, Miriam Makeba, Kamasi Washington, Thompson Twins, Misfits, Bowie, Talking Heads, Tears for Fears, Cher, Whitney Houston, Portishead, Goldfrapp, Memphis Slim, Dinah Washington, Alberto Iglesias, Gustavo Santaolalla, Holychild, Blood Orange, etc.

If you opened a bookstore, where would it be located, what would it be called, and what would your bestseller be?

My grandpa played violin on a ship that sailed between Tanga, Tanzania and Goa, India. I never had the chance to meet him. He died when my dad was sixteen, but I always thought about what that journey might have looked and felt like, its many hardships, but also the wonder of gazing out at the sea playing strings. For that reason, I’d love to open a bookstore that focused specifically on Indian Ocean diaspora and sold books exclusively by authors working, uncovering, or investigating the literature of that oceanic rim. I think there is something rich in thinking about books not necessarily focused on nation-statehood but thinking more about a kind of social-imaginary with a literature that is messy in its conceptualization and crosses, migrates, misses, and mythologizes across many cultures over generations. You could have sections on food, underwater exploration, piracy, long-distance intimacy, trade routes, empire, transnational feminism. I like the idea of a bookstore that is anti-genre and instead, organized by associative thinking and imagination. It would be a logistical nightmare. You would never find what you were looking for, but you might find something you didn’t know existed.

So yes, I’d vote for a little homegrown network of bookstores in India, East Africa, and actually, maybe one of them in Lisbon which is a city that has a long (and problematic) history with the Indian Ocean. I’ve spent a lot of time in Lisbon the past eight years of my life, spending time visiting family and researching the history of the Portuguese empire especially as it relates to my family history (my folks are third generation East African Portuguese colonized Indians). I have a lot of conflicting homelands which is a way of saying that there are times when I feel like I have nothing but a rootless present. That’s something I investigate in my work, that weird (a)temporality. And I’m drawn to the particular light of Lisbon which is quite unusual. I’d call the bookstore “Malaika” which means “Angel” in Swahili and is the favorite folk song of my parents who grew up in Tanzania. I like the idea of a bookstore in Lisbon with the name in Swahili run by a Goan-Canadian-American woman. That’s the world I grew up in… one of multiplicities. 

[ucflibrary]

Women’s History Month began as a week-long celebration by in Sonoma, California in 1978 which was centered around International Women’s Day on March 8. A year later during a women’s history conference at Sarah Lawrence College, participants learned how successful the week was and decided to initiate similar in their own areas. President Carter issued the first proclamation for a national Women’s History Week in 1980. In 1987, Congress (after being petitioned by the National Women’s History Project) passed Pub. L. 100-9 designating March as Women’s History Month. U.S. Presidents have issued proclamations on Women’s History Month since 1988.

 The University of Central Florida community joins together to celebrate Women’s History Month across the multiple campuses with a wide variety of activities including workshops, film screenings, and WomanFest2019. Visit the Office of Diversity and Inclusion’s #visionarywomen page to learn more about the scheduled events, and stop by the library to view the display wall, Portraits of Empowerment: Womanhood & Activism, which includes bras decorated at our Honor, Remember & Support workshop. UCF Libraries is featuring a faculty author talk by Dr. Kimberly Voss called Women's Page History in Florida in the 1950s and 1960s on Friday, March 8 at 10:30 am in John C. Hitt Library 223.

 Here at the UCF Libraries, we have created a list of suggested, and favorite, books about women in both history and fiction. Please click on the read more link below to see the full book list with descriptions and catalog links. And don’t forget to stop by the John C. Hitt Library to browse the featured bookshelf on the 2nd (main) floor near the bank of two elevators for additional Women’s History Month books and DVDs.

Becoming by Michelle Obama

When she was a little girl, Michelle Robinson's world was the South Side of Chicago, where she and her brother, Craig, shared a bedroom in their family's upstairs apartment and played catch in the park, and where her parents, Fraser and Marian Robinson, raised her to be outspoken and unafraid. But life soon took her much further afield, from the halls of Princeton, where she learned for the first time what if felt like to be the only black woman in a room, to the glassy office tower where she worked as a high-powered corporate lawyer--and where, one summer morning, a law student named Barack Obama appeared in her office and upended all her carefully made plans. Here, for the first time, Michelle Obama describes the early years of her marriage as she struggles to balance her work and family with her husband's fast-moving political career. She takes us inside their private debate over whether he should make a run for the presidency and her subsequent role as a popular but oft-criticized figure during his campaign. Narrating with grace, good humor, and uncommon candor, she provides a vivid, behind-the-scenes account of her family's history-making launch into the global limelight as well as their life inside the White House over eight momentous years--as she comes to know her country and her country comes to know her.

Suggested by Richard Harrison, Research & Information Services

 Berenice Abbott: a life in photography by Julia Van Haaften

The comprehensive biography of the iconic twentieth-century American photographer Berenice Abbott, a trailblazing documentary modernist, author, and inventor. Berenice Abbott is to American photography as Georgia O'Keeffe is to painting or Willa Cather to letters. She was a photographer of astounding innovation and artistry, a pioneer in both her personal and professional life. Abbott's sixty-year career established her not only as a master of American photography, but also as a teacher, writer, archivist, and inventor. Famously reticent in public, Abbott's fascinating life has long remained a mystery―until now.

Suggested by Christina Wray, Teaching & Engagement

 Broad Band: the untold story of the women who made the Internet by Claire L. Evans

Join the ranks of the pioneers who defied social convention to become database poets, information-wranglers, hypertext dreamers, and glass ceiling-shattering dot com-era entrepreneurs. This inspiring call to action shines a light on the bright minds whom history forgot, and shows us how they will continue to shape our world in ways we can no longer ignore.

Suggested by Dawn Tripp, Research & Information Services

 Eleanor Roosevelt by Blanche Wiesen Cook

Eleanor Roosevelt was born into the privileges and prejudices of American aristocracy and into a family ravaged by alcoholism. She overcame debilitating roots: in her public life, fighting against racism and injustice and advancing the rights of women; and in her private life, forming lasting intimate friendships with some of the great men and women of her times. This volume covers ER's family and birth, her childhood, education, and marriage, and ends with FDR's election to the Presidency--the years of ER's youth and coming of age. Celebrated by feminists, historians, politicians, and reviewers everywhere, Cook's trilogy is an unprecedented portrait of a brave, fierce, passionate political leader of our century.

Suggested by Larry Cooperman, Research & Information Services

 Miss Ella of Commander's Palace: "I Don't Want a Restaurant Where a Jazz Band Can't Come Marching Through" by Ella Brennan & Ti Adelaide Martin

Meet Ella Brennan: mother, mentor, blunt-talking fireball, and matriarch of a New Orleans restaurant empire, famous for bringing national attention to Creole cuisine. In this candid autobiography, she shares her life. From childhood in the Great Depression to opening esteemed eateries, it’s quite a story to tell. When she and her family launched Commander’s Palace, it became the city’s most popular restaurant, where famous chefs such as Paul Prudhomme, Emeril Lagasse, and James Beard Award winner Troy McPhail got their start. Miss Ella of Commander’s Palace describes the drama, the disasters, and the abundance of love, sweat, and grit it takes to become the matriarch of New Orleans’ finest restaurant empire.

Suggested by Richard Harrison, Research & Information Services

 My American Dream: a life of love, family, and food by Lidia Matticchio Bastianich

For decades, beloved chef Lidia Bastianich has introduced Americans to Italian food through her cookbooks, TV shows, and restaurants. Now, in My American Dream, she tells her own story for the very first time. Born in Pula, on the Istrian peninsula, Lidia grew up surrounded by love and security, learning the art of Italian cooking from her beloved grandmother. But when Istria was annexed by a communist regime, Lidia’s family fled to Trieste, where they spent two years in a refugee camp waiting for visas to enter the United States. When she finally arrived in New York, Lidia soon began working in restaurants, the first step on a path that led to her becoming one of the most revered chefs and businesswomen in the country. Heartwarming, deeply personal, and powerfully inspiring, My American Dream is the story of Lidia’s close-knit family and her dedication and endless passion for food.

Suggested by Richard Harrison, Research & Information Services

 Notorious RBG by Irin Carmon

Notorious RBG, inspired by the Tumblr that amused the Justice herself and brought to you by its founder and an award-winning feminist journalist, is more than just a love letter. It draws on intimate access to Ginsburg's family members, close friends, colleagues, and clerks, as well an interview with the Justice herself. An original hybrid of reported narrative, annotated dissents, rare archival photos and documents, and illustrations, the book tells a never-before-told story of an unusual and transformative woman who transcends generational divides. As the country struggles with the unfinished business of gender equality and civil rights, Ginsburg stands as a testament to how far we can come with a little chutzpah.

Suggested by Peter Spyers-Duran, Cataloging

 Re-evaluating Women's Page Journalism in the Post-World War II Era: celebrating soft news by Kimberly Wilmot Voss

Re-Evaluating Women’s Page Journalism in the Post-World War II Era tells the stories of significant women’s page journalists who contributed to the women’s liberation movement and the journalism community. Previous versions of journalism history had reduced the role these women played at their newspapers and in their communities—if they were mentioned at all. For decades, the only place for women in newspapers was the women’s pages. While often dismissed as fluff by management, these sections in fact documented social changes in communities. These women were smart, feisty and ahead of their times. They left a great legacy for today’s women journalists. This book brings these individual women together and allows for a broader understanding of women’s page journalism in the 1950s and 1960s. It details the significant roles they played in the post-World War II years, laying the foundation for a changing role for women.

Suggested by Megan Haught, Teaching & Engagement/Research & Information Services

 She Persisted: 13 American women who changed the world by Chelsea Clinton

Chelsea Clinton introduces tiny feminists, mini activists and little kids who are ready to take on the world to thirteen inspirational women who never took no for an answer, and who always, inevitably and without fail, persisted. She Persisted is for everyone who has ever wanted to speak up but has been told to quiet down, for everyone who has ever tried to reach for the stars but was told to sit down, and for everyone who has ever been made to feel unworthy or unimportant or small.

Suggested by Megan Haught, Teaching & Engagement/Research & Information Services

 The Immortal Life of Henrietta Lacks by Rebecca Skloot Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor black tobacco farmer whose cells—taken without her knowledge in 1951—became one of the most important tools in medicine, vital for developing the polio vaccine, cloning, gene mapping, and more. Henrietta's cells have been bought and sold by the billions, yet she remains virtually unknown, and her family can't afford health insurance. This phenomenal New York Times bestseller tells a riveting story of the collision between ethics, race, and medicine; of scientific discovery and faith healing; and of a daughter consumed with questions about the mother she never knew.

Suggested by Rachel Edford, Teaching & Engagement

 The Only Woman in the Room: why science is still a boy’s club by Eileen Pollack

A bracingly honest exploration of why there are still so few women in the hard sciences, mathematics, engineering, and computer science. Based on six years interviewing her former teachers and classmates, as well as dozens of other women who had dropped out before completing their degrees in science or found their careers less rewarding than they had hoped, The Only Woman in the Room is a bracingly honest, no-holds-barred examination of the social, interpersonal, and institutional barriers confronting women—and minorities—in the STEM fields. This frankly personal and informed book reflects on women’s experiences in a way that simple data can’t, documenting not only the more blatant bias of another era but all the subtle disincentives women in the sciences still face. The Only Woman in the Room shows us the struggles women in the sciences have been hesitant to admit, and provides hope for changing attitudes and behaviors in ways that could bring far more women into fields in which even today they remain seriously underrepresented.

Suggested by Sandy Avila, Research & Information Services

 The Radium Girls: the dark story of America's shining women by Kate Moore

The Curies' newly discovered element of radium makes gleaming headlines across the nation as the fresh face of beauty, and wonder drug of the medical community. From body lotion to tonic water, the popular new element shines bright in the otherwise dark years of the First World War. Meanwhile, hundreds of girls toil amidst the glowing dust of the radium-dial factories. The glittering chemical covers their bodies from head to toe; they light up the night like industrious fireflies. With such a coveted job, these "shining girls" are the luckiest alive ― until they begin to fall mysteriously ill. But the factories that once offered golden opportunities are now ignoring all claims of the gruesome side effects, and the women's cries of corruption. And as the fatal poison of the radium takes hold, the brave shining girls find themselves embroiled in one of the biggest scandals of America's early 20th century, and in a groundbreaking battle for workers' rights that will echo for centuries to come.

Suggested by Megan Haught, Teaching & Engagement/Research & Information Services

 The Secret History of Wonder Woman by Jill Lepore

The Secret History of Wonder Woman is a tour de force of intellectual and cultural history. Wonder Woman, Lepore argues, is the missing link in the history of the struggle for women’s rights—a chain of events that begins with the women’s suffrage campaigns of the early 1900s and ends with the troubled place of feminism a century later. This edition includes a new afterword with fresh revelations based on never before seen letters and photographs from the Marston family’s papers.

Suggested by Rachel Edford, Teaching & Engagement

 The Woman Who Smashed Codes: a true story of love, spies, and the unlikely heroine who outwitted America's enemies by Jason Fagone

In The Woman Who Smashed Codes, Jason Fagone chronicles the life of this extraordinary woman, who played an integral role in our nation’s history for forty years. After World War I, Smith used her talents to catch gangsters and smugglers during Prohibition, then accepted a covert mission to discover and expose Nazi spy rings that were spreading like wildfire across South America, advancing ever closer to the United States. As World War II raged, Elizebeth fought a highly classified battle of wits against Hitler’s Reich, cracking multiple versions of the Enigma machine used by German spies.

Suggested by Sandy Avila, Research & Information Services

 Visionary Women: how Rachel Carson, Jane Jacobs, Jane Goodall, and Alice Waters changed our world by Andrea Barnet

This is the story of four visionaries who profoundly shaped the world we live in today. Together, these women—linked not by friendship or field, but by their choice to break with convention—showed what one person speaking truth to power can do. Jane Jacobs fought for livable cities and strong communities; Rachel Carson warned us about poisoning the environment; Jane Goodall demonstrated the indelible kinship between humans and animals; and Alice Waters urged us to reconsider what and how we eat. With a keen eye for historical detail, Andrea Barnet traces the arc of each woman’s career and explores how their work collectively changed the course of history. All told, their efforts ignited a transformative progressive movement while offering people a new way to think about the world and a more positive way of living in it.

Suggested by Christina Wray, Teaching & Engagement

[lifelastingcouples]

Salvador Dalí and Gala

Salvador Domingo Felipe Jacinto Dalí i Domènech, 1ˢᵗ Marquess of Dalí de Púbol, was born in Figueres, Catalonia on the 11ᵗʰ of May 1904. Dalí's older brother, who had also been named Salvador (born 12ᵗʰ October 1901), had died nine months earlier, on August 1903. Dalí was haunted by the idea of his dead brother throughout his life, mythologizing him in his writings and art. Dalí also had a sister who was three years younger. Dalí's father, was a middle-class lawyer and notary, an anti-clerical atheist and Catalan federalist, whose strict disciplinary approach was tempered by his wife, who encouraged her son's artistic endeavors.

In 1922, Dalí moved to Madrid and studied at San Fernando Royal Academy of Fine Arts. There he became close friend with Pepín Bello, Luis Buñuel, Federico García Lorca, and others associated with the Madrid avant-garde group Ultra. The friendship with Lorca had a strong element of mutual passion, but Dalí said he rejected the poet's sexual orientation. Lorca was killed by Spanish Nationalist militia on August 1936.

In the mid-1920s Dalí grew a neatly trimmed moustache. In later decades he cultivated a more flamboyant one in the manner of 17th-century Spanish master painter Diego Velázquez, and this moustache became a well known Dalí icon.

In April 1926 Dalí made his first trip to Paris where he met Pablo Picasso, whom he revered. Picasso had already heard favorable reports about Dalí from Joan Miró, a fellow Catalan who later introduced him to many Surrealist friends.

From 1927 Dalí's work became increasingly influenced by Surrealism. Influenced by his reading of Freud, Dalí increasingly introduced suggestive sexual imagery and symbolism into his work.

Elena Ivanovna Diakonova (Gala) was born in Kazan, Russia, on the 7ᵗʰ of September 1894. Coming from a family of intellectuals, among her childhood friends was the poet Marina Tsvetaeva. Gala was the second of four children born to Ivan and Antonine Diakonoff. When Gala was ten years old her father disappeared prospecting gold in Siberia. This left the family, (her sister Lidia and her two brothers, Nikola and Vadim) destitute. According to the law of the Russian Orthodox Church, Gala’s mother could not remarry but Antonine defied normal practice by choosing to live with a wealthy lawyer.

Ill from tuberculosis, in 1912 she was sent to a sanatorium at Clavadel, near Davos in Switzerland. There she met Paul Éluard and fell in love with him. They were both seventeen. In 1916, during World War I, she traveled from Russia to Paris to reunite with him; they were married one year later. Their daughter, Cécile, was born in 1918. Gala detested motherhood, mistreating and ignoring her child.

Gala was an inspiration for many artists including Éluard, Louis Aragon, Max Ernst, and André Breton. Breton later despised her, claiming she was a destructive influence on the artists she befriended. Gala, Éluard, and Ernst spent three years in a ménage à trois, from 1924 to 1927.

In early August 1929, Éluard and Gala visited Salvador Dalí in Costa Brava, Spain. An affair quickly developed between Gala and Dalí, who was about ten years younger than Gala. It was a love at first sight. In his Secret Life, Dalí wrote:

«She was destined to be my Gradiva, the one who moves forward, my victory, my wife».

The name Gradiva comes from the title of a novel by W. Jensen, the main character of which was Sigmund Freud. Gradiva was the book’s heroine and it was her who brought psychological healing to the main character.

After living together since 1929, Dalí and Gala married in a civil ceremony in 1934, and remarried in a Catholic ceremony in 1958 in the Pyrenean hamlet of Montrejic. They needed to receive a special dispensation by the Pope because Gala had been previously married and she was a believer (not Catholic ✝ but was an Orthodox Christian ☦︎). Due to his purported phobia of female genitalia, Dalí was said to have been a virgin when they met in 1929. Around that time Gala was found to have uterine fibroids, for which she underwent a hysterectomy in 1936.

The start of their cohabitation was much of a challenge. Dalí was then far from being a top-earning artist, and Gala had no income of her own. In the early 1930s, Dalí started to sign his paintings with his and her name. He stated that Gala acted as his agent, and aided in redirecting his focus. To top it all, there was a public outcry about the inscription Dalí had made on one of his pictures: ‘Sometimes I spit with pleasure on the portrait of my mother.' This made his father shun connection with the son and cut off his allowance. And many in the neighbourhood did side the notary of so high a reputation, and refused Salvador residence or tenancy. Only a fisherman’s widow, some Lidia Sabana de Costa, who had known him since his childhood, and always believed in his talent, — only she sold the couple for a song a solitary shack off Cadaqués, in Port Lligat, used for storing fishing tackle. And Salvador and Gala’s love made the shack a castle.

The room of sixteen square metres in area was the front parlour, the bedroom, and the studio — all in one. For lunch, they sometimes had one fruit for the two of them. This period of her and Dalí's living below the breadline hardly fits the popular idea of Gala as an avaricious, money-minded woman, though, when with Paul Éluard, she had had a far better-off lifestyle in well-furnished Parisian apartments. n that period, the peak of their success was Dalí's solo exhibition held in June, 1931, in the Pierre Colle Gallery.

During 1937 Gala assumed more power in the position of Dalí’s business manager and agent and procurer of artistic contracts. They travelled widely in the United States during the eight years spent there in exile, with winters spent conducting business at the St Regis Hotel in New York, summers in California. In 1948 the pair returned to Europe. Upon returning to Spain, From this date they would spend summers in Spain in Port Lligat and winters in New York or Paris.

Gala had a strong libido and throughout her life had numerous extramarital affairs, which Dalí encouraged, since he was a practitioner of candaulism. In the end of the sixties their relationships started to fade away, and the rest of their life it was just smouldering pieces of their bygone passion. In 1968, Dalí bought Gala the Castle of Púbol, Girona, where she would spend time every summer from 1971 to 1980. He also agreed not to visit there without getting advance permission from her in writing.

In 1980, at the age of 76, Dali was forced to retire due to palsy. The motor disorder left him unable to hold a brush, and as his condition worsened, he became less tolerant of Gala’s continued affairs. Gala was also using the income from Dali’s art to lavish money and gifts on her lovers, who were mostly young male artists. One day, the artist had enough. He beat Gala so badly, he broke two of her ribs.

In her late seventies, Gala had a relationship with millionaire multi-platinum rock singer Jeff Fenholt, former lead vocalist of Jesus Christ Superstar. Gala died the 10 of June 1982, at the age of 87 after suffering from a severe case of influenza. She was interred in the Castle of Púbol, in a crypt with a chessboard style pattern.

In 1982, King Juan Carlos I bestowed on Dalí the title of  Marquess of Dalí of Púbol in the nobility of Spain, Púbol being where Dalí then lived.

Dalí died of heart failure on the 23 of January at the age of 84.

Gala and Dalí lived together for 53 years.

[surejaya]

The Small Backs of Children

Download : The Small Backs of Children More Book at: Zaqist Book

The Small Backs of Children by Lidia Yuknavitch

A masterful literary talent explores the treacherous, often violent borders between war and sex, love and art With the flash of a camera, one girl’s life is shattered, and a host of others altered forever. . . In a war-torn village in Eastern Europe, an American photographer captures a heart-stopping image: a young girl flying toward the lens, fleeing a fiery explosion that has engulfed her home and family. The image wins acclaim and prizes, becoming an icon for millions—and a subject of obsession for one writer, the photographer’s best friend, who has suffered a devastating tragedy of her own. As the writer plunges into a suicidal depression, her filmmaker husband enlists several friends, including a fearless bisexual poet and an ingenuous performance artist, to save her by rescuing the unknown girl and bringing her to the United States. And yet, as their plot unfolds, everything we know about the story comes into question: What does the writer really want? Who is controlling the action? And what will happen when these two worlds—east and west, real and virtual—collide? A fierce, provocative, and deeply affecting novel of both ideas and action that blends the tight construction of Julian Barnes’s The Sense of an Ending with the emotional power of Anthony Marra’s A Constellation of Vital Phenomena, Lidia Yuknavitch’s The Small Backs of Children is a major step forward from one of our most avidly watched writers.

Download : The Small Backs of Children More Book at: Zaqist Book